
"The idea of exhibiting emptiness is a recurring notion in the history of art over the past fifty or so years, almost to the point of becoming a cliché in the practice of contemporary art. Since the exhibition by Yves Klein – "The Specialization of Sensibility in the Raw Material State of Stabilized Pictorial Sensibility" in Paris in 1958, totally empty exhibitions have been the statement of different conceptions of vacuums.A quite exceptional event, "Vides" (Voids) is a retrospective of empty exhibitions since that of Yves Klein in 1958. In almost a dozen rooms of the National Museum of Modern Art, it assembles in a totally original manner exhibitions that showed absolutely nothing, leaving empty the space for which they were designed."
On view at the Centre Pompidou until March 23, 2009, Voids, a Retrospective ehibits the history of empty gallery and exhibition spaces starting with Yves Klein's 1958 exhibition "The Specialization of Sensibility in the Raw Material State of Stabilized Pictorial Sensibility".
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